Thursday, March 05, 2009

A Body that Labors

Levinas says:


For a body that labors everything is not already accomplished, already done; thus to be a body is to have time in the midst of the facts, to be me though living in the other.


This revelation of distance is an ambiguous revelation, for time both destroys the security of instantaneous, happiness, and permits the fragility thus discovered to be overcome. And it is the relation with the other, inscribed in the body as its elevation, that makes possible the transformation of enjoyment into consciousness and labor.


(Totality, p. 117)


I'll note the primacy of enjoyment and get back to what that means. What more can be said to characterize this time that is had in the midst of the facts? Is it a time of expectancies, seeing as how expectancy seems to go along with a sense that there is something yet to be accomplished? How do these expectancies manifest themselves in relation to memory, or, less thematically, to sedimentation? "Enjoyment is made of the memory of its thirst; it is a quenching" (p. 112). Levinas characterizes pure existence as ataraxia while happiness, he says, is accomplishment. (Enjoyment, he says, is "the very pulsation of the I" (ibid.)). I'm not sure that ataraxia is easily attained, and, to the extent that is attainable, as freedom from worry, I'm not sure it does away with either joy or suffering. I'm not sure that raw existing, like pure existing perhaps, doesn't alternate between joy and suffering. Isn't this the very pulsation of the self, this alternation between joy and suffering? And isn't suffering made from the memory of joys? What happens to time as the beats of the self become memory? How does the process of becoming memory move through the body?


If we insist that the alternation between joy and suffering is the pulsation of the self, Levinas is then quite sure he disagrees with us. For him life is personal because it is enjoyment, not the other way around.


Life is affectivity and sentiment; to live is to enjoy life. To despair of life makes sense only because originally life is happiness. Suffering is a failing of happiness; it is not correct to say that happiness is the absence of suffering.


(p. 115, my bold)


I'm sorry but this argument makes it seem that unhappiness, instead of being a modality of experience, is something that one discovers philosophically, something that one, correctly or incorrectly, reasons one's way into. I don't think the Epicureans have been adequately responded to, much less refuted. My characterization of Levinas' argument is of course directly at odds with how Levinas asks ut to imagine enjoyment, which would not be inconsistent with a pluralism that acknowledged feelings as having priority over reasoning. So my criticism may well be unfair. Another word from Levinas:


Enjoyment is a withdrawal into oneself, an involution. What is termed an affective state does not have the dull monotony of a state, but is a vibrant exaltation in which dawns the self. For the I is not the support of enjoyment. The "intentional" structure here is wholly different; the I is the very contraction of sentiment, the pole of a spiral whose coiling and involution is drawn by enjoyment: the focus of the curve is a part of the curve. It is precisely as a "coiling," as a movement toward oneself, that enjoyment comes into play.


(p. 118, Levinas' emphasis, my bold)


Can we enjoy a vibrancy of ex-istence without withdrawing into the self, or, more promising, a vibrancy that involves and evolves at once? Is the body, the body for whom not everything is accomplished, already a vibrancy?

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posted by Fido the Yak at 10:41 AM. 0 comments

Friday, January 04, 2008

Repeatable Fragments

Cavarero provides some texture to the idea of plurality:


Biographies and autobiographies, before being textual sites of a refined and professional hemerneutics, are life-stories narrated as a written text. For as much as they are necessarily constructed according to diverse standards, or according to the epoch or the tastes of the times, they nonetheless tell the story of a narratable self whose identity–unique and unrepeatable–is what we seek in the pages of the text. It is this identity, which may be rendered as a fragmentary or multiple segmentation of the self, which would deny its unity. [Those commas don't seem right to me.] Our thesis, once more, is that the etymological root that the terms uniqueness [unicità] and unity [unità] share does not flatten them out into a homogeneous substance, but rather renders them signs of an existence whose life-story is different from all others precisely because it is constitutively interwoven with many others.


(Narratives, p. 71, Cavarero's emphasis, my bold)


What should we make of this association of uniqueness with unrepeatability? What does it mean to say that only the what is subject to repetititon (if it exists), that the who is exempt? What else would the who be exempt from?



The ambiguity of these questions regarding the persistence of identity lies in fact in the confusion of the status of the who with the what. The what–that is, the qualities, the character, the roles, the outlooks of the self–changes and is inevitably multiple and may be judged or reinterpreted in many ways. The who, on the other hand–as the uniqueness of the self in her concrete and insubstitutable existence–persists in continual self-exhibition, consisting in nothing else but this exposure, which cannot be transcended


(pp. 72-73, Cavarero's emphasis, my bold)


The space of appearance, which must mean in this context the space of co-appearance, is not then a space of transcendence. Does transcendence belong only to that which can repeat itself? How would that even be possible? If this is an anti-intellectual attitude, what's at stake? That is, whose intellects are exposed?


One could indeed maliciously suspect that the whole affair about the centrality of the text, which reduces the existence of the living to a status of extra-textuality, depends on the well-known tendency of intellectuals to represent the world in their likeness and image. This is, of course, an ancient vice. It originates, perhaps, with Parmenides–the first professional thinker–who declares that 'being and thinking are the same.' The 'I think, therefore I am' of Descartes, and the 'all that is real is rational' of Hegelian memory, echo h im through the millenia. After which, in more recent times, the subject fades away–but not the sacredness of the intellectual work, which, for centuries, has claimed to put it into the world. On the contrary, such intellectual work, tirelessly speculating upon itself, decides that the very same speculators are a fictitious product of the speculating game. With a rather democratic gesture, the text thus consumes everyone's existence–philosphers and housewives, heroes and poets, characters and authors–in a single mouthful.


(p. 76, Cavarero's emphasis)


Caverero is most brilliant when she is critical. I wouldn't idealize, and I wouldn't suspect her of idealizing, plurality. Here she is critical of a notion of the totality of an existent or a self:


Fragile and contingent–and already marked at birth by a unity that makes of herself first a promise, and then a desire–the narratable self is an exposed uniqueness that awaits her narration. The text of this narration, far from producing all the reality of the self, is nothing but the marginal consequence, or symptom, that follows that desire.


(p. 86, Cavarero's emphasis)


The existent, which is insubstitutable for the duration of his/her life-span, is never an all–although it is born into the promise of the one. Still less does he/she find in death 'an adequate base for establishing in what sense the totatilty of Being-there can be talked about.' Only a perspective that is obsessively focused on death can in fact read existence in terms of totality. Even the posthumous horizon that characterizes the motive of many autobiographical writings supports this obsession.


Precisely because of htis irremediable exposure to others, uniqueness–although it speaks the desiring language of the one–rejects, at the root, the synthesis of the all. The en kai pan, the One and All, belong to the doctrine of Parmenides, not to the design of a life traced by human footsteps on the terrain of unforeseeability and contingency. Fragile and exposed, the existent belongs to a world-scene where interaction with other existents is unforeseeable and potentially infinite. As in The Arabian Nights, the stories intersect with each other. Never isolated in the chimerical, total completion of its sense, one cannot be there without the other.


The narratable self thus re-enters into what we could call a relational ethic of contingency; or rather, an ethic founded on the altruistic ontology of the human existent as finite. Already exposed within the interactive scene that Arendt calls 'political,' there lies at the center of the narrative scene a who which–far from enclosing herself within the pride of a self-referential ego meant to last forever–gathers the in-born matrix of an expositive and relational existence. She wants and gives, receives and offers, here and now, an unrepeatable story in the form of a tale.


(p. 87, Cavarero's emphasis, my bold)


(Snark: Cavarero has exposed herself as a pleonasmist; so much for unrepeatability.) The challenging thought here (for me, of course) is to not align the infinite with repetition. Can one repeat one's way to infinity? If infinity is a place, perhaps you are already there, at your relations, or your relationality. Far be it from me to contemplate your finitude. When I consider my own existence, and what finitude means for me, I am not confident that infinite relationality has it all sewn up. All sewn up. Well, is this really my problem, thinking that the who (my dear sweet who) can be a totality? Do you see where my thought veers, always at odds? Caverero won't let me get me comfortable with an estrangement from myself. She says:


The altruism of uniqueness has thus the additional merit of avoiding that 'rhetoric of alterity,' which the philosophical discourse of the twentieth century seems to adore. 'The Other' or 'the other,' capital or lower-case, often gets invoked by contemporary philosophers as a proof of their good intentions with respect to the individualistic spirit of the times. Whether it is the alterity that invades the self, rendering him nomadic and fragmented, or the alterity that lures the self more subtly with his embrace, these others never have the distinct and unrepeatable face of each human in so far as he is simply another. Intolerant, as usual, of many elementary givens of existence–a large part of contemporary philosophy disdains the ontological status that binds the reality of the self to the (well, yes, empirical) material presence of someone other.


As we never tire of repeating, the ontological status of reciprocal appearance [comparizione] belongs to the existents–distinct and plural, each one for and with another–of a living context like life [ahem]. Continuing to live as a unique existent, here and now, in flesh and bone, this and not another, the who therefore avoids both the usual language of ethics and of politics. Constitutively altruistic, rather than by choice, the ethics and politics of uniqueness indeed speak a language that does not know general names. They tend, moreover, to coincide in the relational character of the very same scene–where the other who interacts, watches and recounts is the inassimilable, the insubstitutable, the unrepeatable. She is a unique existence that no categorization or collective identity can fully contain. She is the you [tu] that comes before the we [noi], before the plural you [voi] and before the they [loro].


(p. 90, Cavarero's emphasis)


Perhaps we could talk about a revolutionary you. I don't know. I feel we're still at an awkward stage in our relationship where I don't know how to talk about your finitude–if you have one. If you asked me to tell you your story, I would put an ending on it. Can that be what you want? (At the risk of repeating myself, I should mention that Cavarero is about as different from Tengelyi as one could imagine; when I feel something other within my experience, as in the case of letting my imagination flow, which I don't regard as psychopathological, I don't know why I wouldn't want to talk about that using a rhetoric of alterity, though, naturally, I wouldn't confuse my imagination with you, gentle soul.)


At last I'd like to look at Cavarero's critique of individualism because she says something quite intriquing and I hope she means it. (I simply must say in passing a word about Cavarero's rhetorical strategy. She's attempting to preempt a criticism of her philosophy as being individualistic. Well, she provides a few good reasons why we shouldn't want to think individualistically. I must say, however, that I haven't yet read a genuine defense of individualism. I must sort of take it on faith then that people believe in such a reprehensible doctrine–in which case I'm sure they have their reasons.)


As the elementary lexicon of democracy demonstrates, individuality is indeed a repeatable, atomized, serial paradigm. Each individual, in an of himself, is as valid for one as he is for any other; he is equal because he is equivalent [ahem]. Uniqueness, on the other hand, ends up rendering useless both the concept of repetition and the principle of generalization that nourishes the individualist theory. Uniqueness is an absolute difference, which, as Arendt never tires of arguing, changes the very notion of politics.


(p. 89, Cavarero's emphasis, my bold)


Let me be so bold as to ask you, Why should you want to repeat yourself? Why should you want to generalize? Maybe you would repeat yourself or generalize to make yourself understood? I doubt, if I may, that you would want to be repeated or generalized by me or anybody else. Anyway, that's a tricky proposition. Why is it tricky to repeat another and not to repeat oneself, to be repeated by another and not to be repeated by oneself? (Sometimes I feel that everything having to do with others is tricky.) I offer you the thought that you shouldn't want to repeat yourself because you really don't know yourself that well. See? You are trickier than you know.


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posted by Fido the Yak at 4:31 PM. 4 comments

Wednesday, December 19, 2007

The Ghost of Nancy's Intrus

The narratable self that listens to her story, and is one because of the familiar, narrative structure of memory, transfers this irreflexive unity, even in the most manifest fragmentarity of the text. Moreover, it is above all the autobiographical impulse of memory that produces discontinuous and fragmentary texts, which, although untrustworthy and elusive, can nonetheless never be exchanged for someone else's story–as happens in the magnificent textual games of Jorge Luis Borges. This everyday certainty of the self, which comes from sensing oneself to be 'this and not another,' indeed continues to resist both the inimitable pleasure of Borges' inventions, and the more refined enticements of contemporary theory–which continue to impose upon the self the pleasure, if not the necessity, of the infinite dissolution of her internal and multiple alterity.


Signigicantly, with this spontaneous resistance–which seems, at first sight, to be based upon the banality of good sense–the narratable self ends up doing a good service for philosophy. Indeed, philosophy ought to be more cautious in playing around with the endless game of the other. By continuing to transport the category of alterity into the intimacy of the self, contemporary philosophy in fact produces the inevitable consequence of impeding every serious naming of the other in so far as he/she is an other.


As Arendt teaches us, a unique being is such only in the relation, and the context, of a plurality of others, which, likewise unique themselves, are distinguished reciprocally–the one from the other. The story of a unique being is obviously never the monotonous and monolithic story of an idem, but is always the unpredictable and multi-vocal story of an ipse. Although it changes in the course of its life and in the course of its story–even to the point of no longer seeming or feeling the same–this ipse, like Oedipus, is 'this and not another' from the beginning to the end of this life and this story.


(Relating Narratives, p. 43, Cavarero's emphasis, my bold)


Nancy's intrus has been haunting me. As I've been doing physical exercises the body I call mine has been changing. What makes this body a body, what gives it the consistency of a body? The heart–but Nancy's intrus haunts me, stands between me and the heart–and yet I feel the heart grow stronger. It doesn't feel disembodied, yet I can't precisely give it boundaries. I drink water prodigiously. It feels like water is also my body, woven in with my muscles. Pumped. A realization about my watery body came to me Monday night after forgetting to take my meds. I couldn't sleep. It was as if a demon possessed me, the mirror image of a beast that comes to me sometimes in nightmares. The beast is not exactly familiar, since it always frightens me, surprises me, it takes many forms, and still I am familiar with its force and its anger, its refusal to lie down. It feels like I'm repressing a tremendous rage, and also something more vital. Joy perhaps. Who is this person who refuses to sleep? How can I have an everyday certainty of the self in this situation? And is it really so unusual to be uncertain about the self? Whose thoughts are these? I don't imagine I'd want to give Nancy a big wet kiss, but I take his words (translated mostly) and put them in my mouth, allow them to circulate, allow them to go to my head. I read a description of psychasthenia and think oh yeah, this too describes a reality. Under the right set of circumstances it could be my reality. The psychasthenic self would be no less of a self than Cavarero's narratable self with its everyday certainty. In counterpoint to this certainty of self, Cavarero notes an unpredictability and a multivocality of the self. Could my familiarity with my unpredictable and polyvalent ipseity be anything but a desire? If I recognize the uniqueness of existents I wouldn't want to say that estrangement draws its boundaries in and around me exactly as it does in and around you. The boundaries of estrangement are negotiated in the context of a plurality of others. In our life together there is the remains to be seen. I have my doubts about the exposure of the existent, chief among them the sense that the existent is exposed in an instant, or already always exposed. If there is a desire for narration of one's life story, perhaps there is also desire for the remains to be seen. Oh yeah, and ghosts.

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posted by Fido the Yak at 11:33 AM. 0 comments